period when I gave the thumbs-up to anything my mother loved—was Irving Is there no Christianity left, no morals, no standards, no faith?”, Either way Cooper laid the groundwork for Mrs. Vale when she played a forbidding socialite mother in Kitty Foyle (1940) and followed up later as Laurence Olivier’s spurned wife in That Hamilton Woman (1941) and a bullying mother to Deborah Kerr in Delbert Mann’s 1958 Separate Tables. 12 product ratings. Now, Voyager is one of the great “women’s pictures,” that most derided of genres. During the argument, Charlotte says she did not ask to be born, that her mother never wanted her, and it has "been a calamity on both sides."  Principal photography was shifted to Warner's sound stage 18 and various locations around California, including the San Bernardino National Forest, while European scenes were replaced by stock footage of Brazil. “Now, Voyager” is an unabashed first-rate soap opera—or a woman’s picture, if you wish—and as such it’s one of the very best of its kind, thanks to Warner Bros. expertise, while the powerful drama is backed by Max Steiner’s lush and Academy Award-winning musical score which is almost as much a part of the film as the actors. Rapper’s Now, Voyager, in which Davis Other novels in the series do not feature mental health as centrally as Now, Voyager, but themes and certain elements appear throughout, as well as many characters appearing in multiple novels. Not the most well-fitting role for an edgy glamour-puss Contrast Davis was Director Irving Rapper has screened it with frequent effectiveness. Let’s just say she’s not done yet. Cooper never flinches: even Mrs. Vale’s death is timed to induce maximum guilt and possible relapse in her daughter. Condition: New. Filling in on the paternal front is Dr. Jaquith (Rains), a dry-witted, empathic shrink and the maestro of Charlotte’s growing independence even after she scrubs up beautifully in stylish threads, and falls for Henreid’s dashing Jerry Durrance. Boston spinster Charlotte has had her life controlled entirely by her mother; a wealthy mother, Mrs. Henry Vale. Charlotte returns home only to realize that Mrs. Vale is ready to destroy her. hair, power shoulders, and an out-of-wedlock romantic arrangement that made the Consider the overwhelmed Young Charlotte Vale (Davis) leads a deeply repressed life, suffering under a domineering mother, until psychiatrist Dr. Jaquith (Claude Rains) encourages her to emerge from her cocoon. On the advice of a skilled psychiatrist, she e… Sign In Now, Voyager. The Keywords: Romantic melodrama, Sentimental old fool, Bette Davis, Demon mother, Stranger, Now, Voyager. Tina “becomes Charlotte’s gift” Now, Voyager 1942). this with the forgiving generosity shown to difficult mothers today as women Mother Monster: Gladys Cooper in Now, Voyager Played with icy restraint, the bully at the heart of Irving Rapper’s classic woman’s picture is a prime example of how Hollywood melodramas shaped the archetype of the villainous mother. She later encourages Tina to overcome her depression. there was one mother-daughter television date my busy mum was always willing to , The film highlighted Davis's ability to shape her future artistic ventures, as not only did she have a significant role in influencing the decisions over her co-stars, but also the choice of director was predicated on a need to have a compliant individual at the helm. The producer Hal B. Wallis had originally intended on having the lead role played by Irene Dunne, and then Norma Shearer or Ginger Rogers. Cannily, Cooper never overplays her hand, even when Rapper underlines her evil with two shots of her impatiently drumming her fingers. Away from her mother's control, Charlotte blossoms, and at Lisa's urging, the transformed woman opts to take a lengthy cruise instead of going home immediately. down tools for, it was a Bette Davis movie. 5.0 average based on 12 product ratings. Shelves: relationships, romance, mothers-and-daughters, chick-lit Now, Voyager is the third installment in the Vale family saga written by Prouty in the 1930s and 1940s. Movie Info Boston heiress Charlotte Vale (Bette Davis) is a neurotic mess, largely because of her domineering mother (Gladys Cooper). Her mother's (super satisfying) death puts Charlotte in the same fortunate position as Catherine in The Heiress: given the female-unfriendly financial arrangements typical of the time, Charlotte is now free, having inherited the Vales' considerable wealth. Charlotte and Jerry become friendly, and in Rio de Janeiro, the two are stranded on Sugarloaf Mountain when their car crashes. Her mother is determined to destroy her daughter once again, but Charlotte is resolved to remain independent. The novel promises to enhance our pleasurable perplexity about the film's many enigmas concerning the nature of women's most passionate attachments." The film offers us no sense of what mutilated Mrs. Vale’s own life or shaped her into such a gorgon. A chorus-girl beauty in her youth who sang and danced her way into the lead in Peter Pan onstage in London, Cooper bloomed into a prominent leading lady in Somerset Maugham and Noël Coward plays. Quantity: More than 10 available / 207 sold / See Feedback. In a nutshell, that's Now, Voyager, but there's a lot more to director Irving Rapper's adaptation of Olive Higgins Prouty's novel than gooey romance. Transitioning to Hollywood, Cooper played all sorts, from the kindly sister opposite Laurence Olivier’s Maxim de Winter in Rebecca (1940), to her Academy Award–nominated role in Now, Voyager, to a punishing nun in The Song of Bernadette (1943). For the album by Barry Gibb, see, 1942 American drama film directed by Irving Rapper, Warner Bros financial information in The William Shaefer Ledger. Voyager offered Charlotte Vale as a versatile role model to wartime women, Now, Voyager explores both these possibilities and finds them compatible, even necessary for each other. Prouty borrowed her title from the Walt Whitman poem "The Untold Want", which reads in its entirety. But she reserves her most scathing put-downs for her daughter, the unwanted runt of an otherwise all-male litter born when Mrs. Vale was forty. and not in a good way, is her mother, a snobby Boston Brahmin played with Now Voyager was unusual in that it was perhaps a film before its time, the first woman’s film, what we would describe today in the vernacular as a “Chick Flick.” Charlotte Vale (Bette Davis) suffers under a cruel and tyrannical mother (Gladys Cooper) until a … Mrs. Vale had already brought up three sons, and Charlotte was an unwanted child born to her late in life. When Jerry asks her if she is happy, Charlotte finds much to value in her life, even if she does not have everything she wants: "Oh, Jerry, don't let's ask for the moon. She's never found one. Good value. From them, Charlotte learns of how Jerry's devotion to his young daughter Christine ("Tina") keeps him from divorcing his wife, a manipulative, jealous woman who does not love Tina and keeps Jerry from engaging in his chosen career of architecture, despite the fulfillment he gets from it. independence as, however briefly, they took on the work of men. Voyager (published 1993) is the third book in the Outlander series of novels by Diana Gabaldon.Centered on time travelling 20th century doctor Claire Randall and her 18th century Scottish Highlander warrior husband Jamie Fraser, the books contain elements of historical fiction, romance, adventure and fantasy.. Now, Voyager’s real badass mom, melodrama. Henreid was similarly uncomfortable with the brilliantine image, and when Davis insisted on another screen test with a more natural hairstyle, he was finally accepted as the choice for her screen lover. Bette Davis is a product of a wealthy upbringing and never does a days employed work. The untold want by life and land ne'er granted, Although they have fallen in love, they decide it would be best not to see each other again. Now Voyager - Bette Davis, Paul Henreid Movie on DVD 1942. In 2007, Now, Voyager was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant. -- , According to Warner Bros. records, the film earned $2,130,000 domestically and $2,047,000 foreign.. In the scene below, Charlotte returns to Boston from a transformative cruise, a vision in basic black, with furs, a confident runway stride, and bags of assured moxie.  When Bette Davis learned about the project, she campaigned for and won the role. My own beloved mother and I tuned in to Now, Voyager every time it came around. On the ship, she meets Jeremiah Duvaux Durrance, a married man traveling with his friends Deb and Frank McIntyre. with unhappily married Paul Henreid. Starring Bette Davis, Paul Henreid and Claude Rains, "Now, Voyager" was for me a strangely liberating experience. Once home, though, she hesitates at the door to her mother’s bedroom before entering, fortifying herself with memories of Dr. Jaquith’s advice to stand her ground without buckling or returning fire. Entertaining. , Initial production of the Prouty novel had to take into account that European locales would not be possible in the midst of World War II, despite the novelist's insistence on using Italy as the main setting. quietly rabid conviction by British actress Gladys Cooper. 1.  In her 1987 memoir, This 'N That, Davis revealed that co-star Claude Rains (with whom she also shared the screen in Juarez, Mr. Skeffington, and Deception) was her favorite co-star. Movies: Now Voyager; Charlotte Vale is helped by Dr. Jaquith to break free from the repressive tyranny of her mother, Mrs. Henry Windle Vale and falls in … The novel is the third in a pentalogy centered around the fictional Vale family and by far the most popular. And perhaps Cooper mined a streak of severity she occasionally displayed offscreen. 12. O live Higgins Prouty has given Charlotte Vale a massive problem to overcome—her overbearing mother. Charlotte Vale is a dumpy, overweight spinster, never out of the sight of her domineering mother, the widowed matriarch of a wealthy Boston family. "Now, Voyager" is arguably one of the best of all motion pictures by Bette Davis. Greta Gerwig’s Lady Bird. Look at my shoes. My mother doesn't approve of dieting. men, but also to the popularity of an Americanized dilution of Freudian But as a representation Charlotte’s mother is a vicious creation who, for narrative emphasis, is mirrored in Jerry’s offscreen wife, a combination madwoman-in-the-attic and indifferent mother to their insecure young daughter, Tina. The movie Now, Voyager, a love story as well as a film about mothers and daughters, has fascinated female, feminist, and even--despite its heated heterosexual romance--lesbian and gay viewers and critics. The novel is considered to be one of the first, if not the first, fictional depictions of psychotherapy, which is depicted fairly realistically for the time, as Prouty herself spent time in a sanitarium following a mental breakdown in 1925. Her mother, Mrs. Windle Vale (Gladys Cooper), constantly antagonizes Charlotte, pushing her further and further into isolation, until Charlotte’s sister-in-law brings Dr. Jaquith (Calude Rains) to the Vale estate. See all 7 reviews. The kind of "weepie" this critic generally avoids, Now, Voyager (1942) was a - if not the - high-water mark of classical Hollywood melodrama centering around a female protagonist. Fearing that Charlotte is on the verge of a nervous breakdown, her sister-in-law Lisa introduces her to psychiatrist Dr. Jaquith, who recommends that she spend time in his sanitarium. plays Charlotte Vale, a middle-aged frump stranded in submissive fealty to a This article is about the film. Seated in a chair at the far corner of a long shot, resplendent in sparkling jewels at her throat, Cooper fixes Davis with a gimlet glare that would make Maggie Smith’s hard stare look like a long-suffering smile from Greer Garson.  The scene remained an indelible trademark that Davis would later exploit as "hers". this heyday for forward-looking, strong women, mothers tended to fare poorly at I'm fat. In Now, Voyager, Cooper puts her craggily handsome features to terrifying use as Mother Vale, an implacable termagant and self-pitying martyr who, in the most charitable reading, channels her own miseries into bullying her daughter, confusing and belittling her with references to “my little girl” and “my ugly duckling.”. " Variety, however, wrote a more positive review, calling it, "the kind of drama that maintains Warner's pattern for box-office success ... Hal Wallis hasn't spared the purse-strings on this production. of the biggest hits of the maternal melodramas that churned off the Hollywood 0. Now, Voyager, from 1942, is a film modern-day critics believe contains some feminist stances. Guilty and distraught, Charlotte returns to the sanitarium. When she arrives at the sanitarium, she is immediately diverted from her own problems when she meets Jerry's lonely, unhappy 12-year-old daughter Tina, who has been sent to Dr. Jaquith. Dark Victory (1939) and Now, Voyager (1942) would be on anybody's list of most representative Davis pictures. Now, Voyager (1942) Pages: The Story (continued) Feeling awkward in a beautiful white gown (with an evening cape decorated with sparkling beaded butterflies) after Jerry compliments her "striking impression" in the cocktail lounge, he lights another cigarette for her. assembly line during World War II, Now, With the future of film exhibition more uncertain than ever, several small-scale organizations with highly personal curation are proving they have what it takes to survive against the odds. In the former, she's a doomed heiress nobly losing her eyesight, a multiple-handkerchief situation that proved one of her biggest hits. I have seen the film a number of times and my main problem with the film has always been a lack of sympathy with the characters. He took an active role in the production, including casting decisions. Consulting with designer Orry-Kelly, she suggested a drab outfit, including an ugly foulard dress for Charlotte initially, to contrast with the stylish, "timeless" creations that mark her later appearance on the cruise ship. like Davis. But either because of the Hays office or its own spurious logic, [the film] endlessly complicates an essentially simple theme. Filming ran from April 7 to June 23 of 1942 as producer Hal B. Wallis made Now, Voyager his first independent production at Warner Bros. under a new arrangement with the studio. Now Voyager Review. Now, voyager, sail thou forth, to seek and find. For all its emotional hair-splitting, it fails to resolve its problems as truthfully as it pretends. The memory of Jerry's love and devotion helps give her the strength she needs to remain resolute. into an efficiently chilling cruise missile while barely moving a muscle, Cooper Fearing that Charlotte is on the verge of a nervous breakdown, her sister-in-law Lisa introduces her to psychiatrist Dr. Jaquith, who recommend… , For years, Davis and co-star Paul Henreid claimed the moment in which Jerry puts two cigarettes in his mouth, lights both, then passes one to Charlotte, was developed by them during rehearsals, inspired by a habit Henreid shared with his wife, but drafts of Casey Robinson's script on file at the University of Southern California indicate it was included by the screenwriter in his original script. A repressed spinster's struggles to break free from her overbearing mother and assert her independence. Tina reminds Charlotte of her own unwanted youth and turns her into the antidote mom to Mrs. Vale. The other titles include The White Fawn (1931), Lisa Vale (1938), Home Port (1947), and Fabia (1951).  One of the primary reasons for Davis being interested in the original project was that photography would also take place in her hometown of Boston. Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. Shaken from her depression, Charlotte becomes overly interested in Tina's welfare, and with Dr. Jaquith's permission, she takes her under her wing. Davis was aghast at the initial costume and makeup tests of Austrian actor Paul Henreid; she thought the "slicked back" gigolo-like appearance  made him look "just like Valentino." 4. Charlotte, we are to understand, is as she is because her father died young, leaving her without a buffer against her mother’s controlling ways and running barbs. Drab Charlotte Vale is an unattractive, overweight, repressed spinster whose life is brutally dominated by her tyrannical mother, an aristocratic Boston dowager whose verbal and emotional abuse of her daughter has contributed to the woman's complete lack of self-confidence. Now, Voyager is a 1941 novel by American novelist Olive Higgins Prouty [1882-1974]. Academy Award winner Bette Davis stars with Paul Henreid in one of the greatest screen romances of all time--Now, Voyager. The sheer talent of Bette Davis! 2. Olive Higgins Prouty's novel, written in 1941, served as the basis for the film, and other than certain limitations imposed by World War II on the locations for filming, the movie remains fairly true to the novel. This book is about Charlotte Vale, the spinster aunt and her incredible transformation. misogynist. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 23 DOI: 10.1080/01439689508604551, Academy Award for Best Supporting Actress, Academy Award for Best Music, Scoring of a Dramatic or Comedy Picture, "Complete National Film Registry Listing | Film Registry | National Film Preservation Board | Programs at the Library of Congress | Library of Congress", "Librarian of Congress Announces National Film Registry Selections for 2007", ValeTales discussion of the novel and the movie, Extensive summary and commentary at Filmsite.org, https://en.wikipedia.org/w/index.php?title=Now,_Voyager&oldid=995432569, United States National Film Registry films, Films that won the Best Original Score Academy Award, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, $4,177,000 ($65.5 million in 2019 dollars), This page was last edited on 21 December 2020, at 00:37. Doubtless we could scour the real-life maternal ground and find a few horrors like Mrs. Vale. Film critic Steven Jay Schneider suggests the film continues to be remembered due not only to its star power, but also the "emotional crescendos" engendered in the storyline. Now, Voyager is a 1942 American drama film starring Bette Davis, Paul Henreid, and Claude Rains, and directed by Irving Rapper. The screenplay by Casey Robinson is based on the 1941 novel of the same name by Olive Higgins Prouty.. Perhaps the quintessential woman’s film of its era, this saga of self-discovery captures Bette Davis at the height of her reign at Warner Bros. Ella Taylor writes about film for NPR.org and other outlets, and teaches in the School of Cinematic Arts at the University of Southern California. 0. Irving Rapper's direction has made the picture move along briskly, and the cast, down to the most remote performer, has contributed grade A portrayals. Available on iTunes A repressed spinster's struggles to break free from her overbearing mother and assert her independence. Her unglamorous portrayal of Charlotte Vale - a mousy, dowdy and overweight, frustrated, mother-hating virginal spinster early in the film is a remarkable acting achievement. is surely due in part to the fact that most of these movies were directed by fully commits to a role few women of her generation could be expected to read as Today I’d want to know who mistreated the monster. Now voyager is good film tailor made for Bette Davis, but Gladys Cooper also holds her own. With her contralto drawl, genius for innuendo, and fierce control behind the camera, this great Hollywood provocateur pioneered a sex-positive cinema far ahead of its time. People (1980) and as recently as 2005 in Jane Fonda’s over-the-top Escalating Dr. Jaquith has allowed Charlotte to keep Tina there to understand that her relationship with Jerry will remain platonic. They miss the ship and spend five days together before Charlotte flies to Buenos Aires to rejoin the cruise. Of Jesus Christ Superstar Cooper wrote in a strong letter to Time magazine, “The theater having sunk in to the depths of filth and obscenity both in sound and sight, is the church to do likewise? 3. Jerry and Dr. Jaquith visit the Vale home, where Jerry is delighted to see his daughter's changes. Prouty's quirky demands for vibrant colors and flashbacks shot in black and white with subtitles were similarly disregarded. We have the stars," a line ranked number 46 in the American Film Institute's list of the top 100 quotes in American cinema. Mrs. Vale had already brought up three sons, and Charlotte was an unwanted child born to her late in life. Her performance was always the selling point of Now, Voyager. And every time, as we witnessed Mrs. Vale’s final bid for mastery fail for good, we turned to one another and exhaled in satisfied unison. What man would ever look at me and say, 'I want you.'? with married men in the absence of their own partners, many savoring newfound When the girl improves, Charlotte takes her home to Boston. toward motherhood and its pitting of women against one another. She decides to become independent and resolute. ", Leslie Halliwell wrote in Halliwell's Film Guide: "A basically soggy script gets by, and how, through the romantic magic of its stars, who were all at their best; and suffering in mink went over very big in wartime.". Prouty also used this experience to help others in her life who were experiencing mental health issues, including her close friend Sylvia Plath, who was supported both financially and emotionally by Prouty following a failed suicide attempt in 1953.. by Claude Rains, Charlotte soon flowers into an independent dame with upswept Mrs. Henry Vale is a That is, until her cousin intervenes by bringing a psychiatrist, Dr. Jacquith (Claude Rains) into Miss Vale's life. Theodore Strauss, a critic for The New York Times, observed: Casey Robinson has created a deliberate and workmanlike script, which more than once reaches into troubled emotions. By any yardstick this is a pretty versatile repertoire for an actress often criticized for being too stiff. wanting self-sacrificing motherhood even more than she desires a passionate liaison , The choice of Davis's leading men became important, as well. begin to write and direct movies in greater numbers. fascinating creature of its time, not least for its formidable ambivalence and Laurie Metcalf’s wonderfully sharp-tongued, demanding—and loving—parent in 0.  Davis previously had worked with Irving Rapper on films where he served as a dialogue director, but his gratitude for her support turned into a grudging realization that Davis could control the film. Significantly, she never gets a first name of her own. , David Lardner of The New Yorker offered a similar opinion, writing that for most of the film, Davis "just plods along with the plot, which is longish and a little out of proportion to its intellectual content. Yet even during But under the protective wing of a broad-minded psychiatrist played It is a bit of an outlier, though, subverting some of the genre’s conventions. on a 1941 novel by Olive Higgins Prouty, Now, Voyager is a 0. It has all the earmarks of money spent wisely. In its time the movie was known as a "weepie," or a "woman's movie." film something of a pioneering feminist moment for the 1940s maternal Taking mental notes on her daughter’s reconstruction into a style icon, Mrs. Vale issues orders for a full unraveling of her daughter’s newfound poise while warning that her own perfectly sound heart may fail in the absence of full filial compliance. One Based Although Now, Voyager starts out bravely, it ends exactly where it started – and after two lachrymose hours. the movies, where they languished somewhere along the Madonna-Whore-Monster While he initially pities Charlotte, believing her to be settling in her life, he is taken aback by her contempt for his initial condescension. Before ringing in the new year, we’re taking a look back at some of the most memorable essays and interviews we published in 2020. There’s nothing in-between about Cooper’s Mrs. Henry Vale, who has trapped her daughter into what threatens to be eternal spinsterhood in their coldly grand ancestral home. The title comes from a line in the Walt Whitman poem "The Untold Want," which reads, The untold want by life and land ne'er granted, / Now voyager sail thou forth to seek and find. ", Harrison's Reports called the film "intelligently directed" and praised Davis' performance as "outstanding", but warned that the film's "slow-paced action and its none-too-cheerful atmosphere make it hardly suitable entertainment for the masses. Now, Voyager Irving Rapper, 1942White-haired society matron Mrs Vale (Gladys Cooper) bullies her spinster daughter Charlotte (beetle-browed Bette Davis) into a … She shone in an ancillary role as Henry Higgins’s astute mother in My Fair Lady (1964). Now, Voyager (532)IMDb 7.91 h 57 min1942 Bette Davis magically plays Charlotte Vale, a spinster who defies her domineering mother (fellow Oscar nominee Gladys Cooper) to discover love, heartbreak and eventual contentment.  The dailies, however, showed a "surprisingly effective" Davis at the top of her form. A putative love story, Now, Voyager puts its most vigorous energies into maternal imagery that ranges from the baleful to the benign with few points in between. continuum. Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. interferer in Monster-in-Law. She tells Jerry that she sees Tina as his gift to her and her way of being close to him. The theme of a woman who finds her own voice and authentic self is not common in the 1940s. What man is suitable, doctor? domineering mother. Item information. young widow unraveling in Jennifer Kent’s horror movie The Babadook; Kristen Wiig’s heedless hippie mom in Marielle It is very much a story of its time. (Davis plays her own piece-of-work mater in The Little Foxes and a credulous mother surrogate in All About Eve.).  The initial choices for Charlotte were Irene Dunne, Norma Shearer, and Ginger Rogers. psychoanalysis (Prouty was an early fan of psychotherapy), which all too often Davis’s character, Charlotte Vale, starts the film as a mousy, fat (by Golden Age standards), wild-browed, frump, living her life at the beck and call of her cruel and dominating mother (Gladys Cooper). Drab Charlotte Vale is an unattractive, overweight, repressed spinster whose life is brutally dominated by her tyrannical mother, an aristocratic Boston dowagerwhose verbal and emotional abuse of her daughter has contributed to the woman's complete lack of self-confidence. As Charlotte Vale, a rich Bostonian smothered by a mother who had her late in life, Davis plays a frumpy, low-esteemed, near recluse of a woman. Charlotte becomes engaged to wealthy, well-connected widower Elliot Livingston, but after a chance meeting with Jerry, she breaks off the engagement, about which she quarrels with her mother.  Other locations of filming include Harvard Medical School in Roxbury, Massachusetts, Laguna Beach, Whitley Avenue, and other streets around Boston. fairy tales—the witch, the wicked stepmother, the predatory crone. It was adapted for the movie by screenwriter Casey Robinson [1903-1979]. They’re unnecessary: the actress renders this habitual bully with icy restraint to which, almost imperceptibly, she adds a disciplined note of rising hysteria as Mrs. Vale meets her match in a cheerfully resistant Charlotte. Details about Now Voyager - Bette Davis, Paul Henreid Movie on DVD 1942. No such nuance humanizes Cooper’s Mrs. Henry Vale, a regally spectral presence as she descends a grand staircase in the opening scene of Now, Voyager, barking orders at everyone in her orbit, from her beleaguered butler, to a parade of soon-to-be-fired nurses she doesn’t need, to the good-hearted daughter-in-law who tries to shield Charlotte from her mother’s sharp tongue. Drama 2019 1 hr 57 min. prototype pops up not infrequently down the subsequent years—in Mary Tyler laid the blame for a daughter’s troubles at the feet of her mother. The dowager’s nostrils flare; her BBC diction grows more menacingly crisp; but otherwise Cooper is in full control of this manipulative creature’s emotions. Overplays her hand, even when Rapper underlines her evil with two shots of her own piece-of-work mater the! The project, she campaigned for and won the role in greater.! All its emotional hair-splitting, it was adapted for the movie by screenwriter Casey Robinson based... A psychiatrist, Dr. Jacquith ( Claude Rains ) into Miss Vale 's life of a wealthy upbringing and does... `` Now, Voyager many enigmas concerning the nature of women 's most attachments... Fails to resolve its problems as truthfully as it pretends date my busy mum always! Be best not to see his daughter 's changes a gorgon an essentially simple theme winner Bette,! 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